![]() ![]() In figuring out the numeric expression of the progression, chords expressed as Roman numerals have a major third, and those with lower case numerals have a minor third. | I6 vim7 | iim7 V7 | I6 vim7 | iim7 V7 | You can abstract the progression and express it numerically for ease of transposition to other keys, as: ![]() | Bflat6 Bflat7 | Eflat6 Eflatm6 | Bflat6 F7 | Bflat (F7) || | Bflat6 Bflat7 | Eflat6 Eflatm6 | Bflat6 F7 | Bflat6 Cm7 F7 :||Ī| Blat6 Gm7 | Cm7 F7 | Bflat6 Gm7 | Cm7 F7 | The slashes above the first ending show that you hold the Bflat6 for two beats and the C minor 7 and the F7 each for one beat apiece.Ī ||: Bflat6 Gm7 | Cm7 F7 | Bflat6 Gm7 | Cm7 F7 | As you said, form is AABA with each of the A parts having slightly different endings, depending on whether they are sending you back to another A, going to the bridge (B part), or returning you to the top of the form. Sure Richard, here are changes for "I Got Rhythm." It's normally played in B flat, which puts it in C for transposing instruments like trumpet, tenor sax and clarinet. ![]()
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